Delighted to report that there was only one that I had missed …. Tom Newman’s Faerie Symphony – which I found in full on YouTube for your delectation (if you like Horslips – give it a whirl) … and in fact only 3 that I don’t actually own ….
Tom Newman’s Faerie Symphony (hard to own if you have never heard of it)
Virginia’ Astley’s ‘From Gardens Where We Feel Secure’
Serge Gainsboro’s Histoire De Melody
[When I say ‘own’ … my vinyl collection needs to be checked – because I definitely do not have all of them in my CD/Digital collection – can someone check the vinyl for me – you KNOW who I am talking to ….
BTW – talking of Faerie’s – why oh why do the Enid get left out of all the lists …
Not my first time to see the man. Won’t be the last. First saw him around 14 years ago – shortly after buying my first album by his band Porcupine Tree. In Abstentia. Since then I have acquired close to 50 of his albums (no exaggeration – I just checked) and seen him maybe 10 times. Yes – I am a fan.
It makes one wonder whether artists like Led Zeppelin, The Beatles, Black Sabbath and Pink Floyd would really be successful in this day and age because you really need to sit down and listen to those records more than I think most of us are prepared to do in 2016.
This follow up to their highly successful, 2013 self-titled debut album features Tony Levin (Peter Gabriel, King Crimson), Marco Minnemann (Steven Wilson, Joe Satriani, the Aristocrats) & Jordan Rudess (Dream Theater).
PRE-ORDER available now: Standard CD, Digipak (CD+DVD) & Merchandise:
This post was originally published on September 26th 2003, penned by John Parker - one of the founders of the original Just Good Music Blog. The source was found thanks to The Internet Archive Wayback Machine.
Lately I haven’t derived the same pleasure from my music collection, or even music in general, that I’ve been accustomed to my whole life. I’m trying to figure this out.
It used to be simpler, I think. You would reach an age – let’s say 30 on average – and pretty much drop out of the current music scene. Your record collection would begin to age like fine wine. You’d stop going to gigs and reading Rolling Stone and Down Beat, and the station presets in your car were no longer college stations playing the wide range of emerging new stuff, but the major commercial channels playing bands who are all 6 months away from being featured in a Lexus commercial. There was a clear dividing line between the stuff the kids and the grown-ups listened to that has faded, blurred and, finally, today, disappeared.